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- ¾ÆÇÄÀÇ ºøÀåÀ» ÇرÝ(ú°Ð×)ÇÏ´Â, ÀÌÅ°æÀÇ ÇØ±Ý - ¼ÛÇö¹Î(À½¾ÇÆò·Ð°¡)

- »êÁ¶¿Í ¹Î¿ä »çÀÌ¿¡ ¼¶µ¹À» ³õ´Â ¸¶À½À¸·Î - ÀÌ»ó±Ô(ÀüÁÖ±³À°´ëÇб³ À½¾Ç±³À°°ú ±³¼ö)

-¡®ÇØ±Ý ´õ °¡±îÀÌ¡¯, ÀÌÅ°æÀÇ ºÎµå·´°í ´ÙÁ¤ÇÑ ÇØ±Ý ±ÇÀ¯ - ¼ÛÇýÁø(¼÷¸í¿©´ë ¹®È­¿¹¼ú´ëÇпø ±³¼ö)

This album presents Lee Tae Kyung¡¯s performances in two traditional genres - sanjo and minyo - with the purpose of sharing the spirit of traditional music with the listeners of our time.

Sanjo is said the quintessence of traditional instrumental music of Korea. Minyo can be defined as ¡°songs of/for/by common people.¡± This album in which various Western instruments are used instead of janggu hopes to sound more friendly and thereby help our listeners to be easily attracted by traditional music.

She has made several performances with the supports from the Korea Cultural Heritage Foundation (2004) and the Developing Fund of Culture and Art (2006). In 2016 and 2017, she made her stages solely focused on sanjo.

Trying to explore what aesthetic fundamentals of haegeum are and how they can be shared among the music listeners of our time, she released her album [Lee Tae Kyung¡¯s Haegeum: A Great Love] and also recorded 11 lullabies for the project [Iyagi 365] by Seosawon Publishing Company.

She studied at Korea National University of Arts (undergraduate), Sookmyung Women¡¯s University (master) and Danguk University (Ph.D. Candidate, Korean traditional music). She is a holder of Jongmyo jeryeak (Royal ancestral ritual music of the Jongmyo shrine, National Intangible Cultural Property No.1) and also the chief manager of the Lee Tae Kyung Company
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